Monthly Archives: June 2007

tp2007a.jpg

Event: High Definition Short Films by recent graduates from the Diploma in Interactive Media Design, Temasek Design School
Venue: Cathay Cineleisure Panasonic Theatre
Date: June 19, 2007
Time: 2 pm

This is the 1st time we attended the Temasek Poly’s graduation screening. All their works are shot on Panasonic’s HD cameras.

tp2007b.jpg tp2007c.jpg

We must say the videos look really good! Screening them in a 80-seater cinema theatre doesn’t look grainy at all. And it seems to be some sort of a trend that the students are making stories with children as main characters. When we were still students in film school, our lecturers had warned us against filming 2 types of characters – children and animals. They are the hardest to control on set. So kudos to our young filmmakers! I don’t know whether they went through hell directing the kids but they did a very good job!

We figured that they’re probably drawing out story ideas from their life experiences. Being young themselves at 18 – 20 years old, childhood memories naturally come strongly. I think it’s a good thing that they are writing about something that they care about.

The only gribe we have is the sound. Somehow it is too sharp – which may be a Cathay problem because their sound levels tend to be louder and sharper than other cinema operators (this is our observation, anyway). So there’re times I really need to cover my ears for fear that they will burst and bleed.

Another issue about the sound is the mixing and design, or rather, the lack of. Even though the imagery looks good, the sound has bring down the overall feel by at least 2 notches. Ambient shifts, missing ambience, missing sound effects, lip sync problems for ADR segments…

But I think, across the board, Singapore films has serious issues with sound design. We’ve been neglecting this aspect for the longest time. It’s really one big area that we need to improve on. I’m sure that will definitely boost the “quality” of our local films to make the audience sit up and pay attention. 

A producer from a TV station uttered the above. 

When faced with such a situation, what should we do?
a) Laugh
b) Cry
c) Faint
d) Scream the sh*t out of that person
e) Bang our heads against the wall in exasperation
f) All of the above
g) None of the above

HD Ready Logo???

In our country’s push to be HD-ready, somehow HD literacy is lacking. I’m not even talking about reaching out to the masses. I’m talking about within our small industry and especially in our TV station. What the hell is happening??!!!

We don’t claim to know everything about the HD technology. But it’s beyond our wildest imagination that basic HD knowledge is sorely lacking in our so-called professionals.

We’re in an industry where creativity and technology will always work in tandem to develop content. An analogy: we may be able to walk but if we learn how to drive a car, we can definitely move faster and further than just utilising our own limbs for one single purpose. If we know more about HD technology, we will be able to harness and manipulate it to accomplish more. Look at Hollywood – they actually create proprietary software or prototypes to push their creativity to ever higher levels!

Do watch the documentary series HOLLYWOOD SCIENCE on the National Geographic Channel. We marvelled at how Hollywood movies has inspired scientists in inventing new technology and gadgets.

But let’s get back to the basics…

MDA has been pushing the HDTV campaign since late last year. Here’s our part to help spread the knowledge - a glossary of basic HD terms for the uninitiated:
http://www.hdtv.org.sg/glossary.htm

And to answer the above multiple-choiced question, we chose:
g) None of the above.

WE BLOG IT!!!!!!

HD = 16:9 ‘Nuff said. 

HD is the next big leap in TV/ video history after colour television (but Eng Tiong and I weren’t born yet to witness that defining moment). So doesn’t it excite you to be witnessing this SD to HD milestone?!?!

All thanks to the Cannes trip & MDA’s strong support, Pilgrim Pictures and Truth Be Told is covered rather extensively in the media within the space of a week!

  • TV News on Channel News Asia on May 22, 2007. (Although we completely missed that because we’re still in Cannes. What a bummer!)
  • The Straits Times Life! Section (page 8 & 9) on May 24, 2007 – “Singapore films go pitch perfect in Cannes”
  • Today (page 54) on June 1, 2007 – “Good Times”
  • The Straits Times Life! Section (page 4 & 5) on June 6, 2007 – “Growing Pains”
  • I-Weekly Magazine (Page 64) on June 9, 2007 - Movie Reviews (under upcoming local films releasing this year)
  • UW Magazine (Page 42 & 43) on June 9, 2007 – Hot Reels (also under upcoming local films releasing in 2007-08)

Our dreams came true on May 16, 2007 when we took a flight up to France to attend the Cannes Film Market. It would have been even better if our film was selected for the Cannes Film Festival but hey, one thing at a time. We’re just happy to be there.

We didn’t plan to stay throughout the market/ festival period. It’ll burn too big a hole in our pockets. We were there for 7 days and managed to achieve what we set out to do – meet up with buyers and sales agents for TRUTH BE TOLD, and to suss out response for 2 of our projects currently in development. Of course, on the side is to soak in the atmosphere as much as we can! And that we sure did!

Strongly encourage anyone in the film industry to visit Cannes Film Festival/ Market at least once in their lifetime. It’s worth it! (But don’t forget to bring along your tux or evening wear for the ultimate experience – walking down the red carpet at premieres. We didn’t prepare for it this year. That leaves us something to look forward to next year!)

Flying into Cannes
We’re advised early on not to fly into Nice (nearest airport to Cannes) via Paris as we’ll definitely miss our connecting flight. Anyway, the most afforable air tickets we could find is with British Airways connecting to Nice via London.  If there’s a choice, choose Qantas flights (they code-share with British Airways). The inflight entertainment (read: movies) is better – more choices and it’s Video-On-Demand. Our flight to London is with British Airways. We were bored out of our socks but I guess that gave us time to catch up on sleep. Our return flight is on Qantas. I hardly had time to finish all the movies I wanted to see!

Here’s some things we found at the Heathrow Airport. While transiting with nothing better to do and armed with a camera… (of course all three machines are of differing sizes. I just like to arrange the pictures neat and tidy. But hey, that’s not the point!)

misc001.jpg

misc006.jpg misc002.jpg 

Finding our Way Around
nice001.jpg
Most hotels in Cannes are already fully booked way in advance or the available ones cost us our limbs.

We’ve found a place at Juan Les Pins, a town near Cannes. The most direct way to get there is taking the bus number 200. The bus station is just right outside airport terminal 1, and it’s cheap at EUR 1,30 per person each way. But if you have a luaggage heavier than you are, opps… It’s going to be tough hauling it up onto the bus, especially if it’s crowded… like when we first boarded one. If you aren’t on a shoestring budget, take the cab (or fly the helicopter!) Cab costs about EUR 50(!!) from Nice to Cannes. (That’s like $100 Singapore dollars. I can take a cab from Jurong to Changi at least 3 times!)

Another alternative is to take the train but I think we still need to take a bus first to reach a train station.

So bus it is… except that it’s so packed that when we finally managed to squeeze into one, we’ve waited nearly 2 hours for the damn bus.

Hotel Au Tropico
hotel004.jpg 
Our hotel is the pink building in the background. The bus stop is just a short 1-minute walk away. The Juan Les Pins train station is also nearby – about 8 minutes’ walk away. Extremely convenient. Just wished that the public transport operates on time all the time and it’ll be perfect!

The hotel owner doesn’t really speak English and we can’t do French. But a bit of hand gesturing here, and halting English & French there went a long way. He said he’s picking up English this September so I guess overseas tourists are coming here in droves!

hotel002.jpg hotel001.jpg
Our hotel room isn’t that bad either. Not too cramp as anticpated. (After Hong Kong where Eng Tiong and I have to make coordinated turns to manoeuvre in our tiny room without hitting each other, this is heaven!) The room comes with a hairdryer, which is really convenient. We’ve brought our own travelling iron but I’m sure the hotel has one if we asked.

Public Transport
Taking the bus is the cheapest option. I’m not sure about express bus services though. From Juan Les Pins to Cannes and vice versa, also with bus number 200, the journey takes between 30 minutes to 45 minutes depending on the traffic. At times, it took up to an hour. The bus time table is not exactly accurate. Worse, the bus may not stop to pick up passengers if it’s already full. There’s 2 important French words we’ve learnt, beside “bonjour” & “merci”. The first one is “complete.” It means full.

So we think of the next alternative – the train. It cost slightly more at EUR 2,10 each way. It is a much shorter journey to the Cannes station – about 15 minutes max. The problem is the waiting. Similarly, there’s a timetable but it’s only useful if the trains keep to it! We wanted to catch PARANOID PARK by Gus Van Sant at 8:30am. We nearly missed it because the train was late… very late.  So the 2nd important French word we’ve learnt – “retard” which means late.

And then we thought we should have taken the bus… So who still wants to be a poor filmmaker?

train003.jpg
train001.jpg
train004.jpg
train005.jpg

CANNES!
The weather is fantastic… it’s hot but a cool breeze is constantly blowing so it doesn’t get sticky. At night I do feel a little chilly but Eng Tiong likes it best - it’s natural “air-con”.

 cannes017.jpg cannes016.jpg
cannes010.jpg cannes014.jpg

An interesting mural on the side of a building. Spot film characters such as Mickey Mouse, R2-D2 & C-3PO!
cannes005.jpg

Singapore’s advert on the go… SMART cars! It’s really a head-turner seeing a chain of 5 moving together. So cute!
smart002.jpg
smart001.jpg

On our last day there, we found the cars parking outside the market. Okay, we’re such suckers… just need to pose with one! 
smart004.jpg smart003.jpg

And other things we’ve found along the streets of Cannes…
misc005.jpg
misc003.jpg misc004.jpg 

Marche du Film
market001.jpg 

Tons of trade magazines and you may not see in this pictures… lots of people. These photos were taken in the beginning of the day so the crowd is non-existent.
market006.jpg market008.jpg
market007.jpg market009.jpg

At the Singapore booth, we had fun getting interviewed by MDA’s video crew. When it is Juan’s turn, his boss Sebastian helped hold the light! So spotting!
market002.jpg market003.jpg

And Eng Tiong helping CNA journalist Valerie record a short segment. Sigh… I guess you can’t take a camera out of our hands. Itchy, itchy!!!
market005.jpg market004.jpg

Sales offices aren’t confined to land. Yachts, anyone?
cannes013.jpg

Red Carpet
Just look at the pictures. Need I say more? This is happening every evening & night. We could barely squeeze our way to the front for a better look. We could only see Gong Li, Andie MacDowell & Michelle Yeoh from the huge LCD TV even though the red carpet is less than 50 metres away. (Okay, maybe it’s because I’m short…)

lumiere009.jpg lumiere008.jpg
lumiere005.jpg lumiere007.jpg

And there are really people out there all dressed up but with no tickets, begging for one. Like this lady…
lumiere006.jpg

Now our turn on the red carpet… catching a screening. This is the 8:30am screening I was referring to that we nearly missed because of the train delay. Gus van Sant’s PARANOID PARK at the Grand Theatre Lumiere. As long as it’s not the evening screening, we don’t have to dress up all pretty.

lumiere004.jpg lumiere003.jpg

One of these days, we’re going to walk on it like we owned it…
cannes003.jpg 

Inside Lumiere
The theatre is HUGE! We have balcony seats (wow… we don’t have that in Singapore cinemas anymore). I’m pretty sure if I missed a step, I’m going to roll all the way down, over the balcony and onto the stage. A very, very, very long way to fall. Actually I’m not used to sitting so far away from the screen. I only like seats right in the centre and on a row two-thirds up. Basically the sweetest spot in a theatre. Anything less and Eng Tiong knows he’ll will get it from me.

But for this, we’re just glad to be here!
lumiere001.jpg lumiere002.jpg

Food
For those that we pay for, that is. Our favourite place will be MacDonald’s. Something familiar and erm… affordable?
food001.jpg

Another store we patronise that sells cheap food – paninis going for about EUR 4 each. Bascially sandwich. My favourite (another really junkie item) is the Nutella with bananas panini. How can anyone resist Nutella! But after eating a few paninis, our palates start to hurt. You need skills to eat a sandwich or you’re going to rub your palate raw!

food003.jpg food002.jpg

Eng Tiong’s “Fetish” – Cinema-spotting
Screenings are also held outside of the main Lumiere & Debussy theatres. We only managed to visit a theatre in Olympia for a market screening.

cinema002.jpg cannes012.jpg
cinema001.jpg

Blue Carpet
The red carpet is for official films in the main category. The blue carpet (Debussy theatre) is for films selected under the Un Certain Regard category. Maybe not as ”happening” as the red carpet, but it’s still a royal blue! The press and badge holders still queue up for them. The theatre gets filled just as quickly.

cannes004.jpg cannes006.jpg

Other Crazy Things
Captain Jack Sparrow???!!!
cannes007.jpg

Haha… yeah right!
cannes015.jpg